My project was quite different from the others. Not only it used the fridge as a special “exhibit area”, but it was also a reference/”teaser” to another exposition jointly prepared by Mira, Katka Poliačiková and me („never-ending moment before my end“ ) – a fusion of our three approaches to the commonly prepared project.
There was a picture of me installed in the fridge displaying how I am gazing at a rose “hibernated” in that very fridge while the rose itself was placed in front of the picture. The documentation (or the ultimate work) consists of two photos – the first one - hanged in the fridge, and the second one - where I’m looking at the whole installation in the fridge.
I have appropriated certain approaches used by Mirka and Katarína in their work and combined them into a single work. For a visitor to the vernissage the work was a mystery with interpretation boundaries considerably restricted. Visitors were forced to “jump into the future” to make themselves capable of handling individual messages and connotations. I freeze and conserve this silent (as if not addressing a spectator) moment (->Mira Gáberová) and compress it into a vertical composition of parallel time frames (->Katarína Poliačiková).